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Kyong Mee Choi
Assistant Professor

Roosevelt University
Composition/Chicago College of Performing Arts

Office Chicago Campus
Room 1461 (Auditorium Bldg.)
Phone (312) 322-7137
Hours Tuesdays/Thursdays 11 a.m.-12 p.m.
E-mail kchoi@roosevelt.edu
Classes
MUTC 309-01/MUTC 409-01 INTRO TO ELECTROACOUSTIC MUSIC
MAS 404-01 CONTRAPUNTAL TECHNIQUES IN 20TH CENTURY MUSIC
MUHL 340-01/MUHL 440-01 MUSIC OF TODAY
MTA 301-01 INSTRUMENTATION/ORCHESTRATION
MCMP 211-01 COMPOSITION I
MCMP 225-01 COMPOSITION SEMINAR
PRIVATE COMPOSITION LESSONS

Click here to browse my folders and files

Education
Doctor of Music, University of Illinois at Urbana-Champaign, 2005
Master of Music, Georgia State University, 1999
Korean Literature, Seoul National University, 1997
Bachelor of Science, Ewha Womans University, 1995
Biography
Dr. Kyong Mee Choi, composer, organist, painter, and visual artist, is an Assistant Professor of music composition at Chicago College of Performing Arts at Roosevelt University where she teaches composition and electro-acoustic music. She received a B.S. in chemistry and science education at Ewha Women’s University, and studied Korean literature in a master’s program at Seoul National University in South Korea. She received a M.M. in music composition at Georgia State University and a D.M.A. at the University of Illinois at Urbana-Champaign.

She mainly writes chamber, electro-acoustic, interactive, and multi-media music. Her major awards include the prestigious Robert Help Prize , The first prize of ASCAP/SEAMUS, The First place at the Birmingham Arts Music Alliance Concerct Exchange program, The second prize at VI Concurso Internacional de Música Eletroacústica de SãoPaulo, Mention for Musique et d’Art Sonore Electroacoustiques de Bourges, Honorary Prize at the the International Electroacoustic Music Competition: Musica Nova, Society of Electroacoustic Music of Czech Republic, Finalist for CEMJKO Music and Art Week in Brazil, Finalist at Concurso Internacional de Música Eletroacústica in SãoPaulo, Brazil, Honorable Mention at Luigi Russolo International Competition in Italy among others.

She has had many works recognized in numerous places: Luigi Russolo International Electroacoustic Competition, Australasian Computer Music Conference, MUSICA CONTEMPORANEA in Ecuador, Third Practice, International Computer Music Conference, Electroacoustic Musical Festival in Santiago de Chile, Spectrum Press and the Los Angeles Sonic Odyssey, Merging Voices, Music Beyond Performance, Electronic Music Midwest, International Society for Contemporary Music, Society of Electro-Acoustic Music in the United States, Society of Composers, Inc., College Music Society, MUSICA NOVA among others.

Her research paper, "Spatial Relationship in Electro-Acoustic Music and Painting" is selected and published in the proceedings of the Electroacoustic Music Studies Network 2008 at INA-GRM and University Paris-Sorbonne in France, and of the 2008 Hawaii International Conference on Arts and Humanities, Honolulu, Hawaii.

Her interview with Theresa Sauer, Musicologist, American Musicological Society is now at Notations 21-An anthology of innovative musical notation. Her music can be found at CIMESP, SEAMUS, SCI, EMS, Détonants Voyages (Studio Forum, France).

She has also been active as a painter and visual artist. Her multi-media exhibition with her painting and music was reviewed by Jenny Southlynn, saying, “The show is polished and elegant. The paintings mineral hues shimmer one beneath the other, as mesmerizing as a reflecting pool. The accompanying musical compositions play in perfect harmony with the works, completing the immersive meditative effect.”


Research Interests
Chamber Music Composition
Electro-Acoustic Music Composition
Sound Diffusion
Multimedia Works
Interactive Works
Visual Art/Video Art/Painting
Poetry
Mathematics/Programming
Architecture/Mechanics
Current Awards/Honors/Performance Activities
MAJOR AWARDS/HONORS

• Awarded the John Simon Guggenheim Memorial Foundation Fellowship in Music Composition, 2008

• Honorary Prize for the International Electroacoustic Music Competition: Musica Nova, Society of Electroacoustic Music of Czech Republic, Prague, Czech Republic, December 14, 2007

• Finalist for the International Electroacoustic Music Competition: Musica Nova, Society of Electroacoustic Music of Czech Republic, Prague, Czech Republic, December 14, 2007

• First Place for the Birmingham Arts Music Alliance Concert Exchange program, ARTBURST Performance Series, Birmingham, AL, June 3, 2007

• Recipient of the Robert Helps Prize 2007, Tampa Robert Helps Prize Festival, University of South Florida, FL, and New York Merkin Concert Hall, NY, February 12-18, 2007

• Finalist for CEMJKO Music and Art Week, Pouso Alegre-MG-Brasil, Brazil, November 6-10, 2006

• Honorable mention for Palmarès du 33e Concours Internationaux de Musique et d¹Art Sonore Electroacoustiques de Bourges, Degré II - Trivium/Quadrivium, 2e catégorie, France, 2006

• First Prize for ASCAP/SEAMUS Commission Competition 2006 at University of Oregon, Eugene, OR, March 30- April 1, 2006

• Finalist for MUSICA NOVA 2005, Society for Electroacoustic Music of Czech Republic, Prague, Czech Republic, December 7, 2005

• Second Prize for VI CIMESP 2005 Concurso Internacional de Música Eletroacústica de SãoPaulo, Brazil, November 1, 2005

• Mention for Palmarès du 32e Concours International de Musique et d’Art Sonore Electroacoustiques de Bourges, France, October 2005

• Finalist for Palmarès du 31e Concours International de Musique et d’Art Sonore Electroacoustiques de Bourges 2004; Degré I-RESIDENCE, France, 2004

• Finalist for Concurso Internacional de Música Eletroacústica de SãoPaulo in SãoPaulo, Brazil, November 2003

• Phi Kappa Phi Honor Society, University of Illinois at Urbana-Champaign, Urbana, IL, November 2003

• Honorable Mention for SEAMUS Conference at ASCAP/SEAMUS, Arizona State University, Tempe, AZ, March 13-15, 2003

• Honorable Mention for the 24th Luigi Russolo International Competition, Italy, September 2002

• Winner of the 21st Century Piano Commission Award, Krannert Center for the Performing Arts, University of Illinois at Urbana-Champaign, Urbana, IL, February 2002

• Honorable Mention for the Honors Recital in Georgia State University, Atlanta, GA, November 1998


MAJOR PERFORMANCES/FESTIVALS

• New Music Miami/NODUS ensemble, Von Hartz Gallery, Miami, FL, April 12, 2008

• The Florida Electronic Music Festival, Gainesville, FL, April 10-12, 2008

• The 2008 SEAMUS National Conference, Utah, April 3-5, 2008

• The 2008 College Music Society "Two Greats" Super Regional Conference of the Great Lakes and Great Plains Chapters in Normal, IL, March 28-29, 2008

• “Spring in Havana” International Electroacoustic Music Festival in Havana, Hall of the Museo de Bellas Artes, CUBA, March 13-14, 2008

• The 7th Annual International Women's Electroacoustic Listening Room Project on Saturday, March 1, 2008

• The 2008 Society of Composers, Inc. National conference at Georgia State University, GA, February 23, 2008

• Free Play 10: Listening Chamber, Art Gallery, Grand Valley State University, MI, February 21, 2008

• Ball Statue University, Munch, Indiana, February 12, 2008

• Presentation at the 2008 Hawaii International Conference on Arts and Humanities, Honolulu, Hawaii, January 11-14, 2008

• Electroacoustic Juke Joint at Delta State University, November 10, 2007

• Technosonics VIII in Charlottesville, Virginia, November 9, 2007

• Cinematheque 2007 in the context of NewMediaFest2007, Cologne, Germany, November 2007

• Electronic Music Midwest Festival in Kansas City, October 13, 2007

• The 5th Annual Festival of Contemporary Music, Berkeley, CA, August 16, 2007

• Zhou B. Center art gallery, CCF/BAMA Exchange Program, Chicago, IL, June 2, 2007

• Reid Concert Hall, Bristo Square, Edinburgh, Scotland, May 5, 2007

• New Music in the Gallery concert at Zhou B. Center art gallery, Chicago, IL, April 21, 2007

• Florida Electro-Acoustic Music Festival, University of Florida, Gainesville, FL, April 12-14, 2007

• The Quad Conclave at The Green Mill, Chicago, IL, March 25, 2007

• SEAMUS National Conference 2007 at Iowa State University, Ames, IA, March 8-10, 2007

• International Women's Electro-Acoustic Listening Room Project, Cal State Fullerton, Fullerton, CA, March 3, 2007

• SCI Region V, Clark College, Dubuque, IA, February 23-25, 2007

• Spark Festival, University of Minnesota, Minneapolis, MN, February 20-25, 2007

• The Music Technology program of Northeastern University, Boston, MA, February 22, 2007

• Florida New Music Festival, Florida State University, Tallahassee, FL, February 1-3, 2007

• The performance under the theme of "Music of Korea-Tradition and Modern in Dialog," with other Korean composers, Freiburg, Germany, January 10, 2007

• New York University New Music Ensemble, New York, NY, December 4, 2006

• BEAF, the 2006 Bellingham Electronic Arts Festival, Bellingham, WA, November 30-December 3, 2006

• 2006 ICMC Conference, Tulane University, New Orleans, LA, November 6-11, 2006

• SoundLab, SoundLAB Edition IV memoryscapes, October 13, 2006

• VI International Electroacoustic Music Festival of Santiago de Chile, Ai-maako 2006, Santigao, Chile, October 10-21, 2006

• Electronic Music Midwest Festival at Lewis University, Romeoville, IL, October 12-14, 2006

• SCI 2006 NATIONAL CONFERENCE, College Music Society, San Antonio, TX, September 13-16, 2006

• Swedish Electroacoustic Music Society annual series, Stockholm, Sweden, September 14, 2006

• ea-2@zbcenter concert at Zhou B. Center art gallery, Chicago, IL, July 21, 2006

• Broadcasted with the commentary on the Czech Radio 3, radio station Vltava (http://www.live.cz/cro3/cro3-128.asx) on June 13, 2006

• Centro de Documentacao de Musica Contemporanea CDMC-Brasil/UNICAMP, Brazil, June 2006

• Palmarès du 32e Concours International de Musique et d’Art Sonore Electroacoustiques de Bourges, France, June 4, 2006

• Southern Oregon University, Ashland, OR, May 1, 2006

• Northwest Percussion Festival at Central Washington University, Ellensburg, WA, April 8, 2006

• Music BYTES, Electroacoustic mini-concert, Lewis University, Romeoville, IL, April 7, 2006

• SEAMUS 2006 at University of Oregon, Eugene, OR, March 30-April 1, 2006

• Spark Festival, University of Minnesota, Minneapolis, MN, February 21-26, 2006

• Electro-Acoustic Concert at University of California Davis, CA, November 18, 2005

• College Music Society, 48th NATIONAL CONFERENCE, Quebec City, Canada, November 3-6, 2005

• Electronic Music Midwest, Kansas City Kansas Community College, Kansas City, MO, October 20-22, 2005

• The Miami Section of the International Society for Contemporary Music (ISCM) at Florida International University (Florida NODUS Group), Miami, FL, October 1, 2005

• Chicago Composers Forum MusiCircus, Museum of Contemporary Art, Chicago, IL, September 25, 2005

• Projet-Itinerant Electro-Acoustic Concert, University of Illinois at Urbana-Champaign, Urbana, IL, September 23, 2005

• Music Beyond Performance: SoundImageSound III, University of Pacific Conservatory of Music, Stockton, CA, September 9, 2005

• International Lisp Conference, Stanford University, Palo Alto, CA, June 19-22, 2005

• New Music Marathon, Northwestern University, Evanston, IL, May 22, 2005

• Seventeenth Annual New Music Festival, Heidelberg College, Tiffin, OH, April 22-24, 2005

• Southern Illinois University, Carbondale, IL, April 19, 2005

• SEAMUS, Ball State University, Muncie, IN, April 14-16, 2005

• Merging Voices: Fourth Annual Women in New Music Festival 2005, California State University, Fullerton, CA, March 11-13, 2005

• Spectrum Press and the Los Angeles Sonic Odyssey, Los Angeles, CA, Feb 12, 2005 and March 12, 2005

• Projet-Itinerant, Alte Schmiede in Vienna, Germany, February 2, 2005

• ICMC (International Computer Music Conference) 2004, University of Miami, FL, November 1-6, 2004

• IV International Electroacoustic Music Festival of Santiago de Chile, AI-MAAKO 2004, Santiago, Chile, October 13-18, 2004

• Third Practice Festival, University of Richmond, Richmond, VA, October 1-2, 2004

• IX FESTIVAL ECUATORIANO DE MUSICA CONTEMPORANEA, Quito, Ecuador, July 5-9, 2004

• ACMC (Australian Computer Music Conference) 2004, Victoria University of Wellington, Wellington, New Zealand, July 1-3, 2004

• Music 04, University of Cincinnati College-Conservatory of Music, Cincinnati, OH, June 12-20, 2004

• Zeppelin 2004, CCCB (Centre de Cultura Contemporània de Barcelona), Barcelona, Spain, May 22, 2004

• Midwest Composers Symposium, University of Iowa, Iowa City, IA, November 7-8, 2003

• Electronic Rainbow Coalition Festival, Dartmouth College, Hanover, NH, August 22-23, 2003

• Midwest Composers Symposium, Oberlin Conservatory of Music, Oberlin, OH, February 2003

• Electronic Music Midwest at Lewis 2001 Festival, Lewis University, Romeoville, IL, May 5-6, 2001

• Midwest Composers Symposium, University of Illinois at Urbana-Champaign, Urbana, IL, November 2000

• Midwest Composers Symposium, University of Michigan, Ann Arbor, MI, October 1999


RECORDINGS OF COMPOSITIONS

• It only needs to be seen in SEAMUS CD Series, 2008

• Kandinsky in “Musings,”SCI CD Series no.22, 2007

• Sublimation in MUSICA MAXIMALISTA • MAXIMAL MUSICl • VOL. 12 VI CIMESP (Concourso Internacional de Musical Electroacoustica de Sao Paulo), 2005

• Sublimation in Wavefields, EMS (Experimental Music Studios), University of Illinois at Urbana-Champaign, Urbana, IL, 2005

• Onomatopoetic Mimesis in Détonants Voyages, Studio Forum, France, September, 2002

• Conceptual View of Worlds II in Origins, EMS (Experimental Music Studios), University of Illinois at Urbana-Champaign, Urbana, IL, 2000


PUBLICATIONS/PRESENTATION

• "Spatial Relationship in Electro-Acoustic Music and Painting" selected and published in the proceedings of the Electroacoustic Music Studies Network-5th International Conference Series, Musique concrète,60 years later, INA-GRM (Paris) and University Paris-Sorbonne (Maison de la Recherche), Paris, France, June 3-6th, 2008

• “Spatial Relationship in Electro-Acoustic Music and Painting” selected and published in the proceedings of the 2008 Hawaii International Conference on Arts and Humanities, Honolulu, Hawaii, January 11-14, 2008

• Interview with Theresa Sauer published in IAWM journal, vol. 13, no. 2 by the University of Nebraska Press, January 2008

• Essay on notation, composition, performance and improvisation in Notation 21, an anthology of innovative musical notation, by Theresa Sauer Tisano, American Musicological Society, Fall 2007

• Score of TAO, Conceptual View of World I in Notation 21, an anthology of innovative musical notation, by Theresa Sauer Tisano, American Musicological Society, Fall 2007

• Birmingham News Interview with Phillip Ratliff, May 2007

• “Spatial Relationships in Electro-Acoustic Music and Painting” is selected for Spark Festival, University of Minnesota, Minneapolis, MN, February 20-25, 2007

• Presentation at New Directions In the Study of Musical Improvisation: an Interdisciplinary and Intercultural Conference, University of Illinois at Urbana-Champaign, Urbana, IL, April 1-4, 2004

• “Mapping Sound Synthesis in a Virtual Score” by Guy E. Garnett, Kyong Mee Choi, Timothy Johnson: in International Computer Music Conference 2003, Singapore, September 29-October 4, 2003

• “VirtualScore: Exploring Music in an Immersive Virtual Environment” by Guy E. Garnett, Kyong Mee Choi, Timothy Johnson and Vijayakumar Subramanian: in Symposium on Sensing and Input for Media-Centric Systems (SIMS 02), University of California, Santa Barbara, June 20-21, 2002, pp. 19-23


OTHER RECOGNITIONS/INTERVIEW

• Interviewed by Birmingham Newsletter as the first place composer in the Birmingham Arts Music Alliance Concert Exchange, Birmingham, Alabama, May 19, 2007

• Interviewed by Theresa Sauer Tisano, in order to publish an article at IAWM (International Alliance for Women in Music), April 24, 2007

• NPR (National Public Radio) Interview about Gestural Trajectory and Kyong Mee Choi’s Music, Tampa, Feb 13, 2007

• Newspaper Release: Roosevelt University Torch Newspaper about Robert Helps Prize, December 11, 2006

• News paper release: Chicago Tribune about Robert Helps Prize, November 29, 2006

• Newspaper Release: Roosevelt University Torch Newspaper as a composer, November 13, 2006


RESIDENCY/MASTER CLASS/WORKSHOP

• Master Class: High School Composers Summer Workshop, Accessible Contemporary Music, Roosevelt University, Chicago, IL, July 27, 2007

• Artist-in-Residence at the Byrdcliffe Artist Colony, NY for the Summer 2007 program, Woodstock, NY, June 26-July 22, 2007

• Master Class as a composer residency, University of South Florida, Tampa, FL, February 13-14, 2007

• Contribution to Piano literature class at School of Music at the University of Maryland with Prof. Bradford Gowen, College Park, MD, Spring 2007


ADVANCED STUDY

• CNMAT Max/MSP/Jitter Class, University of California, Berkeley, July 11-18, 2005

• Intensive Composition Course, Transitions and Leaps, with Stuart and Sylvia Smith, June 7-9, 2005

Links
CCPA Composition Program's website (http://ccpa.roosevelt.edu/music/comp/)
UIUC Experimental Music Studios (http://www.music.uiuc.edu/facilitiesExpMusicStudios.php)
Robert Helps Prize Award (http://helpsprize.arts.usf.edu/)
ASCAP/SEAMUS Commission 1st prize Award (http://www.seamusonline.org/)
Roosevelt University
Chicago
 430 S. Michigan Ave, Chicago, IL 60605
Schaumburg  1400 N. Roosevelt Blvd, Schaumburg, IL 60173